Next up on the Saturday bill are The Pitchforks, fresh from Neighbourhood Festival and Reading and Leeds are The Scruff, north Yorkshire's Avalanche Party who are making a strong impression on the live music circuit in the UK, Blackwaters from Guildford and headliner Himalayas, who are playing HOYfest, in their hometown, for the third year in a row.
Himalayas are a sensation. In a short space of time they have become one of the most talked about indie bands. In addition to their success on Spotify, they have played a string of major festivals, supported big acts and played in the States and Europe. There is a sense that this is only the beginning with far more to come. Next on their cards surely must be to get a good record deal in place so they can release their debut album. But it is worth waiting for the right opportunity.
Here at HOYfest Himalayas deliver a big grand finale set, there is raw energy, confidence and professionalism. Their set consists of their best and most well-known songs (Thank God I'm Not You, Sigh On A Hurricane, The Mirror and Ecstacy) but they also play a couple of new songs, and the crowd really takes to the new material. Another thing that makes tonight different is that they play their debut single Cheap Thrills as an encore, it is a rare moment.
Himalayas are super-professional in their approach and have a strong focus. They really mean business, in the best way possible. It is refreshing to see such an attitude because if there is one thing bands need today, on top of their creativity and talent, it is business skills and an understanding of how these things tend to work.
The Pitchforks are building their reputation as a skilled indie guitar four piece who writes excellent songs and delivers on the live front. Saturday at HOYfest is no exception to that idea. Having played Festival No 6 this year, the band also announced that they will support Trampolene and The Blinders this autumn.
Earlier this year they released their new single Waste Of A Day. Produced by Gethin Pearson, the song became a Gigslutz Track Of The Day. On this Saturday they deliver high energy and pace and The Pitchforks are definitely moving up and it is rewarding to see the band gain recognition and support.
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Laura of Anteros - Photo Credit: Andrew Cooper |
There is a different vibe to Sunday's HOYfest line-up, and it feels good to be reminded of the range of new music the UK has to offer. Sunday has more of a dance and electronic element to some of its bands. Manchester's authentic indie funk 'n' rollers No Hot Ashes are high up the bill and their show is a real celebration.
There is a level of complexity to their music, on the one hand it is about having fun and have a dance, yet a the same time, their lyrics are political and there is a social conscience.
BBC R6 Music's Steve Lamacq once talked about how he tends to like bands who either have a very similar look about them or band members who all look entirely different from each other. No Hot Ashes probably fit the latter category and it really works and what they do is exciting.
Their HOYfest performance is dynamic, relevant and absorbing. Isaac has a strong personality and is a good frontman. Dressed in a dark shirt, ripped white jeans and black Doc Martens his style is direct, honest, confrontational and versatile. He almost demands your attention. Their songs are unmistakably Mancunian in sound and vibe and songs such as Eight Till Late and Bellyaches really demonstrate that point. A bigger festival crowd would have worked well for No Hot Ashes but this one here is incredibly responsive.
Liverpool's Red Rum Club have been selling out big venue spaces in their hometown, they are getting a lot of attention and have already been abroad as the band recently visited South Korea. Having all members dressed in black somehow makes them stand out more. There is something quite humble, genuine and completely unpretentious about them and their uplifting psychedelic songs.
Also appearing on day two are talented bands such as Bristolian indie act, Fossette, Cocteau Twins influenced Heavy Lids, haze pop act XY&O, Jumanji from Brighton, Birmingham's North Parade, Cardiff's own Hunter From Fremonte and Carolines.
Carolines write songs of a high quality and deliver a polished set. Who knows maybe the future will see them reach territories other than South Wales.
There is no doubt that the need for HOYfest is there. It does a lot of good for the music scene, not just and and around Cardiff but Sam's efforts are also reaching the surrounding areas and the rest of Wales and that all really helps mapping the guitar music scene on a wider UK scale. It is important that this festival can continue to run, grow, develop and support bands.